{"id":3697,"date":"2016-09-13T16:06:26","date_gmt":"2016-09-13T15:06:26","guid":{"rendered":"http:\/\/experimenta.theatre-hexagone.net\/?p=3697&#038;lang=en"},"modified":"2016-09-13T16:06:26","modified_gmt":"2016-09-13T15:06:26","slug":"look-into-my-eyes-eye-tracking-in-art","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta\/look-into-my-eyes-eye-tracking-in-art\/","title":{"rendered":"Look into my eyes! Eye tracking in art"},"content":{"rendered":"<h1>Look into my eyes! Eye tracking in art<\/h1>\n<p><span class=\"jaune\">Friday 7 October at 2.00 pm (1 hour 15 minutes)<br \/>\nMINATEC Amphitheatre<br \/>\nFree entry<\/span><\/p>\n<p>Eye-tracking techniques consist of analysing data based on the interpretation of the movement of the pupil and the time of gazing at moving or still images. These movements are recorded via an infrared camera. The analysis of these movements is then used as an interaction device by manufacturers to detect consumers&rsquo; interest in certain products. In the hands of artists, this type of device reconfirms for spectators&rsquo; their position as a unique observer. And what if a glance would become the creative force of an artwork? And what happens when it is the artwork that looks at us? And what then does our vision tell us about our interest in an artwork?<\/p>\n<p><strong><span class=\"jaune\">Conference facilitator : <\/span>Robert Bonamy<\/strong>, master of conference at the University Stendhal Grenoble 3<\/p>\n<p><span class=\"jaune\">With :<\/span><\/p>\n<p><strong>Anthony Rousseau<\/strong>, artist<br \/>\nFor <em>Partition(s)<\/em><\/p>\n<p><strong>St\u00e9fane Perraud<\/strong> artist<br \/>\nFor Bleu <em>Gorgone#02<\/em><\/p>\n<p><strong>R\u00e9mi Ronfard<\/strong>, researcher at INRIA<\/p>\n<p><strong>Christophe Prat<\/strong>, researcher at CEA-L\u00e9ti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Look into my eyes! Eye tracking in art Friday 7 October at 2.00 pm (1 hour 15 minutes) MINATEC Amphitheatre Free entry Eye-tracking techniques consist of analysing data based on the interpretation of the movement of the pupil and the time of gazing at moving or still images. These movements are recorded via an infrared&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3228,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[108],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/posts\/3697"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/comments?post=3697"}],"version-history":[{"count":0,"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/posts\/3697\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/media\/3228"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/media?parent=3697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/categories?post=3697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta\/wp-json\/wp\/v2\/tags?post=3697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}