{"id":424,"date":"2017-12-10T16:00:15","date_gmt":"2017-12-10T15:00:15","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/?page_id=424"},"modified":"2017-12-21T13:14:14","modified_gmt":"2017-12-21T12:14:14","slug":"spectacles","status":"publish","type":"page","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/spectacles\/","title":{"rendered":"PERFORMANCES"},"content":{"rendered":"
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\n\t\t\t\tESPACE 600 \u2014 GRENOBLE<\/span> ESPACE PAUL JARGOT \u2014 CROLLES<\/span> HEXAGONE \u2014 MEYLAN<\/span> L'ILYADE \u2014 SEYSINET<\/span> L\u2019ODYSSE L\u2019AUTRE RIVE \u2014 EYBENS<\/span> LA SOURCE - FONTAINE<\/span> LA VENCE SCENE \u2014 SAINT EGREVE<\/span> LE DECLIC \u2014 CLAIX<\/span> LE PACIFIQUE \u2014 GRENOBLE<\/span> LE PRISME \u2014 SEYSSINS<\/span> MAISON MINATEC \u2014 GRENOBLE<\/span> MC2 \u2014 GRENOBLE<\/span> EST\u2014 UGA \u2014 SAINT MARTIN D'H\u00c8RES<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"PERFORMANCES\"<\/a>\n\t\t\t\n\t\t\t
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PERFORMANCES<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t21 December 2017\t\t\t\t<\/span>\n
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12 performances in 11 partner rooms in the Grenoble area.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tHEXAGONE \u2014 MEYLAN<\/span> JE 01 FEV<\/span> VE 02 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"DIGITAL<\/a>\n\t\t\t\n\t\t\t
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DIGITAL VOODOO<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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At the borders of magic, traditions and new technologies, while intersecting arts and sciences, Digital Voodoo<\/em> invites spectators to discover traditional forms of expression in Voodoo culture of West Africa, as they are practised in Togo and Benin. [HEXAGONE – MEYLAN]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tLE PACIFIQUE \u2014 GRENOBLE<\/span> JE 01 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"FORECASTING\"<\/a>\n\t\t\t\n\t\t\t
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FORECASTING<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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Forecasting<\/em> is the third part of a trilogy entitled: 'Theory of a forthcoming performance, where the only way of avoiding the massacre is to become its initiator.' It is based on a collection of amateur YouTube videos.
\n[LE PACIFIQUE – GRENOBLE]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tL\u2019ODYSSE L\u2019AUTRE RIVE \u2014 EYBENS<\/span> VE 02 FEV<\/span> SA 03 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"SOME<\/a>\n\t\t\t\n\t\t\t
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SOME USE FOR YOUR BROKEN CLAY POTS<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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What if we changed our constitution?\u00a0This disruptive and collaborative show puts forward the idea of rethinking our democracy. [L'ODYSS\u00c9E – EYBENS]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tLA VENCE SCENE \u2014 SAINT EGREVE<\/span> LU 05 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"GOOD<\/a>\n\t\t\t\n\t\t\t
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GOOD BYE LANGUAGE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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This is the 47th feature film of the director, the first shot in 3D. A couple whose situation is complicated collects a stray dog who will suddenly speak…
\n[LA VENCE SC\u00c8NE – ST-EGR\u00c8VE]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tESPACE 600 \u2014 GRENOBLE<\/span> MA 06 FEV<\/span> ME 07 FEV<\/span> JE 08 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"TITLE<\/a>\n\t\t\t\n\t\t\t
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TITLE WILL BE INVENTED TOMORROW<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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Children are invited on stage to enter the story of an invisible Beast who devours inhabitants' dreams in a village.
\n[ESPACE 600 – GRENOBLE]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMC2 \u2014 GRENOBLE<\/span> MA 06 FEV<\/span> ME 07 FEV<\/span> JE 08 FEV<\/span> VE 09 FEV<\/span> SA 10 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"ARTEFACT\"<\/a>\n\t\t\t\n\t\t\t
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ARTEFACT<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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This new genre show invites us to enter, wearing a helmet, an ambulatory device, which combines optical theatre, 3D printing technology and robotics. [MC2: GRENOBLE]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tLA SOURCE - FONTAINE<\/span> JE 08 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"CABO<\/a>\n\t\t\t\n\t\t\t
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CABO SAN ROQUE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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The eccentric duo of Laia Torrents at the keyboard and Roger Aixut on guitar is the most well-known group representing Catalan experimental music. [LA SOURCE – FONTAINE]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tESPACE PAUL JARGOT \u2014 CROLLES<\/span> JE 08 FEV<\/span> VE 09 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"JOURNEY<\/a>\n\t\t\t\n\t\t\t
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JOURNEY TO THE CENTRE OF THE WORD<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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Words make the world exist. They are the basis for our reality and existence. So why not go and meet them, discover sounds and meanings that we humans continuously produce?
\n[ESPACE PAUL JARGOT – CROLLES]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tHEXAGONE \u2014 MEYLAN<\/span> JE 08 FEV<\/span> VE 09 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"MONSTER<\/a>\n\t\t\t\n\t\t\t
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MONSTER FACTORY OR UNMEASURE FOR MEASURE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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Jean-Fran\u00e7ois Peyret explores the fantasy of this monstrous creature when he envisions four actors closed up in a theatre while the world gets totally out of order and the climate disrupted. What stories will they tell?\u00a0[HEXAGONE – MEYLAN]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tL'EST - ST-MARTIN-D'H\u00c8RES<\/span> JE 08 FEV<\/span> EST\u2014 UGA \u2014 SAINT MARTIN D'H\u00c8RES<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"PRETTY<\/a>\n\t\t\t\n\t\t\t
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PRETTY BODIES OF SCIENCE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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For two days, on 8 and 9 February, three French universities send a group of students and teacher-researchers engaged in a creative process involving dance, arts and sciences. [EST – ST-MARTIN-D'H\u00c8RES]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tLE DECLIC \u2014 CLAIX<\/span> VE 09 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"STROH<\/a>\n\t\t\t\n\t\t\t
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STROH – LINDEN\u2009\/\u2009KOLKOWSKI PROJECT #9<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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A place for meetings, artistic and scientific experiments on the renewal of the Stroh Instruments. This show invites us on a journey to a gentle, sensitive, poetic and disrupted world. \u00a0[LE D\u00c9CLIC – CLAIX]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tLE PRISME \u2014 SEYSSINS<\/span> SA 10 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"ATTEMPTS<\/a>\n\t\t\t\n\t\t\t
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ATTEMPTS TO APPROACH A SUSPENSION POINT<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
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Yoann Bourgeois, acrobat and choreographer invites us for a discovery walk around the circus and theatre.
\n<\/strong>[LE PRISME – SEYSSINS]<\/strong><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\t\t\t\t\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages\/424"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":93,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages\/424\/revisions"}],"predecessor-version":[{"id":2280,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages\/424\/revisions\/2280"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/media?parent=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}