{"id":505,"date":"2017-12-10T20:19:09","date_gmt":"2017-12-10T19:19:09","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/?page_id=505"},"modified":"2017-12-21T13:05:11","modified_gmt":"2017-12-21T12:05:11","slug":"installations","status":"publish","type":"page","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/installations\/","title":{"rendered":"EXPO"},"content":{"rendered":"
\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\t\t\n\t\t
\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tJE 08 FEV<\/span> VE 09 FEV<\/span> SA 10 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"THE<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

THE EXPO<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t21 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

From February 8 to 10, 2018 at Maison MINATEC – Grenoble<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> JE 08 FEV<\/span> VE 09 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"IN-CLOWNGNITO\"<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

IN-CLOWNGNITO<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Felix Tampon's curiosity knows no limits.\u00a0Beware! He will stick his (red) nose into everything, and as any good investigator, he will be there in-clowgnito…<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"DIGITAL<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

DIGITAL VOODOO RV<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Traditional forms of expression as well as elements of Voodoo in West Africa integrated into Nicolas Ticot’s 3D graphic world.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"IN<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

IN AN ASTRONAUTE’S SKIN<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

A virtual reality teaser about Thomas Pesquet’s unique experience.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"L.I.L.I<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

L.I.L.I IMMERSIVE READING INSTALLATION<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Innovative way of reading; immersive reading of the novel “The Malady of Death” by Marguerite Duras in Virtual Reality<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"ORGANIC<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

ORGANIC OSCILLATOR<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Audiovisual installation performing the acoustic qualities of micro-organisms.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"MIRAGES\"<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

MIRAGES<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Interactive visual and audio installation, revealing a 3D drawing of a composite landscape, continuously updated.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"STRIPED<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

STRIPED SHIRTSIZER<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

When Ei Wada accidentally connected the audio and visual outputs for a television set the wrong way round he created stripes of \u201cnoise\u201d on a television set.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"CLOUD<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

CLOUD FARMING<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

The Cloud Farming<\/em> work is a research of the future of water which involved data collecting with weather balloons from cumulus clouds and documentation of the process.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"TALK<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

TALK TO ME<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Talk To Me<\/em> is an artistic inquiry into human and plant communication, exploring the relationships between nature and people, biology and technology, biological and social processes in particular.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"DREAMACHINES<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

DREAMACHINES BY COLLECTIF SIN<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Sound and light installations that can change shape depending on the context of use, operate autonomously or react to the environment and become interactive.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"STROH<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

STROH PROJECT<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

An artistic and scientific experimentation space centred on the revival of Stroh instruments.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"IAGOTCHI\"<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

IAGOTCHI<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Interactive installation. The IAgotchis are virtual intelligence companions.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"LIVE<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

LIVE MACHINE – ARTIFICELLE CREATURE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

The Living Machine<\/em> is a wired structure with the characteristics of living creatures in terms of morphology, biology and behaviour. What is a living creature? What defines it?<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"FRESQUE<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

FRESQUE #2<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Spectators will be actively involved in a scientific experiment where their behaviour, facing the installation, will change the installation and thereby their own view.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"\u00c6LI\"<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

\u00c6LI<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

\u00c6li<\/em> is is an “efficient” artificial intelligence developed through its relationship with the human being, taking affects and emotions into consideration.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"ARTEFACT<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

ARTEFACT Display3D360<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Immersive and holographic installation. This device will be used in a theatre production based on various visual experiences.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"COLLECTIVE<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

COLLECTIVE MAPPING OF THE FUTURE: GAME FOR GROWN-UPS<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Two female actors, a deck of cards and large-scale maps of the world, Europe and Is\u00e8re County – we begin!<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"ORANGE\"<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

ORANGE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Orange has been working on a sensitive approach to data and digital representation in their laboratory for several years.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"PEUF*<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

PEUF* FICTION : SNOW FALL<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Performances and animated films based on the transmission of the memory of the city and the region, the culture of the mountain and advanced technologies …<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"NIGHT<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

NIGHT – MIST<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Interactive installation to experiment. A visual, sonorous and interactive evocation of an unknown world.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"MEMORY<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

MEMORY PALLACE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Collective audio sculpture, enabling visitors to offer audio souvenirs, then to recover and re-share them via a creative process.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"CURIOUS<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

CURIOUS SPHERES<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

A novel way of juggling, taken from science fiction.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"OUR<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

OUR GOOD PLEASURE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Robotic video installation, in which the visitor is captured by a pack of indigent robots.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"IMAGINOVE\"<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

IMAGINOVE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t6 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Imaginove<\/em> will highlight the project Dream 5D Augmented Reality device for three applications: cultural tour, infrastructure and industrial maintenance.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> JE 08 FEV<\/span> VE 09 FEV<\/span> SA 10 FEV<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"LES<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

LES MODERNES BOOK STORE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t1 December 2017\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Les Modernes book store\u00a0will be present during the 3 days of the show.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\t\t\t\t\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages\/505"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/comments?post=505"}],"version-history":[{"count":67,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages\/505\/revisions"}],"predecessor-version":[{"id":2263,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/pages\/505\/revisions\/2263"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/media?parent=505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}