{"id":16,"date":"2017-12-06T11:34:22","date_gmt":"2017-12-06T10:34:22","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/?p=16"},"modified":"2017-12-21T14:10:37","modified_gmt":"2017-12-21T13:10:37","slug":"our-good-pleasure","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/our-good-pleasure\/","title":{"rendered":"OUR GOOD PLEASURE"},"content":{"rendered":"<p><span style=\"background-color: #ffd500\"><strong>VIDEO \u2014 ROBOTICS \u2014 INTERACTION \u2014 RITES<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><em>Notre bon plaisir (Our good pleasure)\u00a0<\/em>is a robotic video installation, in which the visitor is captured by a pack of indigent robots. These creeping objects are facilitated through a screen where a human figure appears, matching their movements in synchronisation. These objects have a limited existence, in a theatrical form where each of them plays a role. They are able to map out a space, identify the visitors, and then follow them by approaching them with vocative dances and insistent prayers.<\/p>\n<p><span style=\"text-decoration: underline\"><strong>Artists<\/strong><\/span><br \/>\n<strong>Pascal Bauer<\/strong>, r\u00e9alisation, concepts techniques, composition sonore<br \/>\n<strong>Miguel Moreira<\/strong>, chor\u00e9graphie<br \/>\n<strong>S\u00e9bastian Langueneur<\/strong>, danseur.<\/p>\n<p><b><u>Associated researchers<\/u><\/b><br \/>\n<strong>Wilson Antoine<\/strong>, programmation robotique<br \/>\n<strong>Olivier Gilquin<\/strong>, programmation syst\u00e8mes.<\/p>\n<p><span style=\"text-decoration: underline\"><strong>Associated firms<\/strong><\/span><br \/>\nCentQuatre-Paris \u2014 Polytech Paris UPMC \u2014 Cr\u00e9atec \u2014 Patrick Cazade \u2014 Rero \u2014 Reynald Garcia.<\/p>\n<p><strong><span style=\"text-decoration: underline\">Project partners<\/span><\/strong><br \/>\nProduction Digitalarti \u2014 Coproduction Digitalarti \u2014 Pascal Bauer \u2014 Universcience \u2014 Arcadi \u2014 Synesth\u00e9sie \u2014 Avec le soutien du Cent Quatre-Paris. Crossedlab, arts &#038; culture hybrides.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robotic video installation, in which the visitor is captured by a pack of indigent robots.<\/p>\n","protected":false},"author":2,"featured_media":289,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts\/16"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/comments?post=16"}],"version-history":[{"count":18,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts\/16\/revisions"}],"predecessor-version":[{"id":2315,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts\/16\/revisions\/2315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/media\/289"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/media?parent=16"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/categories?post=16"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/tags?post=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}