{"id":24,"date":"2017-12-06T11:40:06","date_gmt":"2017-12-06T10:40:06","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/?p=24"},"modified":"2017-12-21T14:09:57","modified_gmt":"2017-12-21T13:09:57","slug":"memory-pallace","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/memory-pallace\/","title":{"rendered":"MEMORY PALLACE"},"content":{"rendered":"
AUDIO VIRTUAL REALITY \u2013 SOUNDSPACE \u2013 SPATIAL SAMPLING \u2013 GESTURED VOICE RELATIONS<\/strong><\/span><\/p>\n Memory Pallace<\/em> is a collective audio sculpture, enabling visitors to offer audio souvenirs, then to recover and re-share them via a creative process. Initially, the Memory Palace was a mnemonic method formerly used in the Antiquity to memorise long lists of information by placing them in imaginary places, which was then be neglected during the Renaissance.\u00a0As a metaphoric installation of this mnemonic technique, Memory Palace transforms the exhibition area: The physical space echoes the various souvenirs left by visitors, creating a time-based polyphony.<\/p>\n Researcher, artist<\/strong><\/span> Project partner<\/span> <\/strong> Collective audio sculpture, enabling visitors to offer audio souvenirs, then to recover and re-share them via a creative process.<\/p>\n","protected":false},"author":2,"featured_media":295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts\/24"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":13,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts\/24\/revisions"}],"predecessor-version":[{"id":2313,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/posts\/24\/revisions\/2313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/media\/295"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/media?parent=24"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/categories?post=24"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/en\/wp-json\/wp\/v2\/tags?post=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nGreg Beller<\/strong>, directeur du d\u00e9partement Interfaces
\nRecherche et Cr\u00e9ation de l\u2019IRCAM et directeur artistique de la compagnie Synekine.<\/p>\n
\nIdex Bordeaux, Laboratoire Bordelais de Recherche en Informatique – Universit\u00e9 de Bordeaux – CNRS – INP, Bordeaux \u2014 NFC Interactive, Bordeaux \u2014 SCRIME, Bordeaux \u2014 N+N Corsino, Marseille \u2014 Sc\u00e8ne 44, Marseille \u2014 Ubris Studio, Marseille \u2014 IRCAM-Centre Pompidou, Paris \u2014 SYNEKINE, Paris \u2014 Formes El\u00e9mentaires, Paris \u2014 ADAMI Culture Experience Day, Paris \u2014 Festival d\u2019Avignon \u2014 GeorgiaTech University, USA GA.<\/p>\n","protected":false},"excerpt":{"rendered":"