{"id":24,"date":"2017-12-06T11:40:06","date_gmt":"2017-12-06T10:40:06","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/?p=24"},"modified":"2017-12-21T14:09:57","modified_gmt":"2017-12-21T13:09:57","slug":"memory-pallace","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/memory-pallace\/","title":{"rendered":"LE PALAIS DE LA M\u00c9MOIRE"},"content":{"rendered":"

R\u00c9ALIT\u00c9 VIRTUELLE SONORE \u2014 SOUND SPACE \u2014 SAMPLING SPATIAL \u2014 RELATION GESTE-VOIX<\/strong><\/span><\/p>\n

Le Palais de la M\u00e9moire<\/em> est une sculpture sonore collective, proposant au public de d\u00e9poser des souvenirs sonores dans l\u2019espace, pour les convoquer \u00e0 nouveau et les partager dans un processus cr\u00e9atif. Au d\u00e9part, Le Palais de la M\u00e9moire<\/em> est un moyen mn\u00e9motechnique, pratiqu\u00e9 depuis l\u2019Antiquit\u00e9, puis disparu \u00e0 la Renaissance, qui permet de m\u00e9moriser de longues listes en les disposant dans des lieux imaginaires. Installation m\u00e9taphorique de cette mn\u00e9monique, Le Palais de la M\u00e9moire<\/em> transforme le lieu dans lequel elle est expos\u00e9e. L\u2019espace physique r\u00e9sonne alors des diff\u00e9rents souvenirs livr\u00e9s par les participants en une polyphonie temporelle.<\/p>\n

Chercheur, artiste<\/strong><\/span>
\nGreg Beller<\/strong>, directeur du d\u00e9partement Interfaces
\nRecherche et Cr\u00e9ation de l\u2019IRCAM et directeur artistique de la compagnie Synekine.<\/p>\n

Partenaires du projet<\/span> <\/strong>
\nIdex Bordeaux, Laboratoire Bordelais de Recherche en Informatique – Universit\u00e9 de Bordeaux – CNRS – INP, Bordeaux \u2014 NFC Interactive, Bordeaux \u2014 SCRIME, Bordeaux \u2014 N+N Corsino, Marseille \u2014 Sc\u00e8ne 44, Marseille \u2014 Ubris Studio, Marseille \u2014 IRCAM-Centre Pompidou, Paris \u2014 SYNEKINE, Paris \u2014 Formes El\u00e9mentaires, Paris \u2014 ADAMI Culture Experience Day, Paris \u2014 Festival d\u2019Avignon \u2014 GeorgiaTech University, USA GA.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sculpture sonore collective, proposant au public de d\u00e9poser des souvenirs sonores dans l\u2019espace, pour les convoquer et les partager dans un processus cr\u00e9atif.<\/p>\n","protected":false},"author":2,"featured_media":295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/24"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":13,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/24\/revisions"}],"predecessor-version":[{"id":2313,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/24\/revisions\/2313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/media\/295"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/media?parent=24"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/categories?post=24"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/tags?post=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}