{"id":47,"date":"2017-12-06T14:40:39","date_gmt":"2017-12-06T13:40:39","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/?p=47"},"modified":"2018-01-24T11:02:14","modified_gmt":"2018-01-24T10:02:14","slug":"stroh-project","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/stroh-project\/","title":{"rendered":"PROJET STROH"},"content":{"rendered":"<p><span style=\"background-color: #ffd500\"><strong>ACOUSTIQUE MUSICALE<\/strong><\/span><\/p>\n<p>La Fausse Compagnie d\u00e9veloppe un espace d\u2019exp\u00e9rimentations artistiques et scientifiques autour de la renaissance d\u2019instruments Stroh (instruments \u00e0 cordes et \u00e0 pavillons). Pour elle, tout commence avec l\u2019id\u00e9e de r\u00e9inventer ces instruments datant de la fin du 19e si\u00e8cle. Sont alors associ\u00e9s pour concevoir et r\u00e9aliser ces instruments, luthier, sculpteur m\u00e9tal, chercheurs en acoustique, sp\u00e9cialistes en mat\u00e9riaux composites. Le partage des nouvelles connaissances permet la naissance de ces objets ph\u00e9nom\u00e8nes, uniques au monde. La Fausse Compagnie invite deux personnalit\u00e9s ayant contribu\u00e9 \u00e0 la red\u00e9couverte de ces curiosit\u00e9s sonores, Olavi Linden et Aleksander Kolkowski.<\/p>\n<p><span style=\"text-decoration: underline\"><strong>Artistes<\/strong><\/span><br \/>\n<strong>La Fausse Compagnie : <\/strong><br \/>\n<strong>Thomas Le Saulnier<\/strong>, violoncelliste<br \/>\n<strong>Claire-No\u00ebl Le Saulnier<\/strong>, contrebassiste<br \/>\n<strong>Samuel Tailliez<\/strong>, violoniste<br \/>\n<strong>Olavi Linden<\/strong>, violon Linden<br \/>\n<strong>Aleksander Kolkowski<\/strong>, violon Stroh.<\/p>\n<p><strong><span style=\"text-decoration: underline\">Chercheurs associ\u00e9s<\/span><\/strong><br \/>\n<strong>Fran\u00e7ois Gautier<\/strong> &#8211; Laboratoire d\u2019Acoustique de l\u2019Universit\u00e9 du Maine UMR &#8211; CNRS<br \/>\n<strong>Jean-Christophe Vali\u00e8re<\/strong> &#8211; Institut P\u2019 &#8211; CNRS &#8211; UPR.<\/p>\n<p><span style=\"text-decoration: underline\"><strong>Entreprises associ\u00e9es<\/strong><\/span><br \/>\nAtelier de Lutherie Alain Pignoux \u2014 Sculpteur Laurent Cadilhac \u2014 Ent. Bourbon \u2014 Composites Distribution. Partenaires du projet R\u00e9gion Nouvelle-Aquitaine \u2014 DRAC Nouvelle Aquitaine \u2014 D\u00e9partement de la Vienne \u2014 CNAR sur Le Pont \u2014 MJC Champ Libre.<\/p>\n<p><span style=\"background-color: #86cdd2\"><strong>+ LE SPECTACLE<\/strong><\/span><br \/>\n<strong><span style=\"color: #86cdd2\">\u21d2<\/span><\/strong>\u00a0<a href=\"https:\/\/www.experimenta.fr\/projet-stroh9\/\"><strong>Projet Stroh Linden\/Kolkowski # 9<\/strong><\/a><br \/>\n<strong>MUSIQUE \u2014 PERFORMANCE &#8211; Cr\u00e9ation<br \/>\nVE 09 \/ 19h \/ LE D\u00c9CLIC &#8211; CLAIX<\/strong><br \/>\nUne invitation au voyage vers un univers doux et sensible, po\u00e9tique et d\u00e9cal\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Espace d\u2019exp\u00e9rimentations artistiques et scientifiques autour de la renaissance d\u2019instruments Stroh &#8211; instruments \u00e0 cordes et \u00e0 pavillons.<\/p>\n","protected":false},"author":2,"featured_media":298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/47"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":13,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/47\/revisions"}],"predecessor-version":[{"id":2580,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/47\/revisions\/2580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/media\/298"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/media?parent=47"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/categories?post=47"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/tags?post=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}