{"id":65,"date":"2017-12-06T15:48:26","date_gmt":"2017-12-06T14:48:26","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/?p=65"},"modified":"2017-12-21T15:29:09","modified_gmt":"2017-12-21T14:29:09","slug":"l-i-l-i-immersive-reading-installation","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/l-i-l-i-immersive-reading-installation\/","title":{"rendered":"L.I.L.I L\u2019INSTALLATION DE LECTURE IMMERSIVE"},"content":{"rendered":"

LITT\u00c9RATURE NUM\u00c9RIQUE CR\u00c9ATION TRANSM\u00c9DIA \u2014 VISION 360\u00b0 \u2014 SOUND DESIGN ET BINAURAL \u2014 SC\u00c9NOGRAPHIE RV<\/strong><\/span><\/p>\n

D\u00e9couvrez un format de lecture innovant, une lecture immersive en R\u00e9alit\u00e9 Virtuelle du roman La Maladie de la Mort<\/em>, de Marguerite Duras. Entrez dans une chambre, allongez-vous sur le lit, \u00e9quipez vous d\u2019un casque RV et commencez cette lecture sc\u00e9nographi\u00e9e et sc\u00e9naris\u00e9e. Le collectif Or Normes explore les codes d\u2019\u00e9ditorialisation num\u00e9rique propre \u00e0 la technologie et \u00e0 l\u2019ergonomie du casque de R\u00e9alit\u00e9 Virtuelle. C\u2019est une v\u00e9ritable rencontre entre litt\u00e9rature, th\u00e9\u00e2tre, graphisme, son, manipulation multim\u00e9dia qui nourrit ce projet de litt\u00e9rature num\u00e9rique.<\/p>\n

EXP\u00c9RIENCES EN RV<\/span> (toutes les 15 min \u2014 \u00e0 partir de 16 ans)<\/strong><\/p>\n

Artistes<\/strong><\/span>
\nChristelle Derr\u00e9<\/strong>, artiste transm\u00e9dia, metteure en sc\u00e8ne
\nMartin Rossi<\/strong>, artiste multim\u00e9dia, d\u00e9veloppeur
\nGYOMH<\/strong>, graphiste designer, illustrateur
\nDavid Couturier<\/strong>, sound designer
\nManon Picard<\/strong>, assistante mise en sc\u00e8ne.<\/p>\n

Chercheurs associ\u00e9s<\/strong><\/span>
\nManon Picard<\/strong>, doctorante, charg\u00e9e d\u2019\u00e9tude en Litt\u00e9rature Num\u00e9rique Laboratoire COSTECH \u2013 Universit\u00e9 de Technologie de Compi\u00e8gne (UTC) de Compi\u00e8gne. Sous la direction de Serge Bouchardon<\/strong>, professeur des Universit\u00e9s en sciences de l\u2019information et de la communication \u00e0 l\u2019UTC, directeur de l\u2019unit\u00e9 de recherche COSTECH et de Bruno Bachimont,<\/strong> directeur \u00e0 la Recherche \u00e0 l\u2019UTC.<\/p>\n

Entreprise associ\u00e9e<\/span><\/strong>
\nSARL Collectif Or Normes Partenaires du projet Ville de Poitiers \u2014 Maison des 3 Quartiers \u2014 Ville de Niort \u2014 DRAC Nouvelle Aquitaine \u2014 Th\u00e9\u00e2tre du Tr\u00e8fle.<\/p>\n

+ LE FORUM<\/strong><\/span>
\n\u21d2<\/span>\u00a0Retrouvez Christelle Derr\u00e9, metteure en sc\u00e8ne et artiste transm\u00e9dia dans la conf\u00e9rence \u00ab\u2009Raconter en r\u00e9alit\u00e9 virtuelle, entre th\u00e9\u00e2tre et cin\u00e9ma\u2009\u00bb \u2014 VE 09 \/ 15h30<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Format de lecture innovant, lecture immersive en R\u00e9alit\u00e9 Virtuelle du roman La Maladie de la Mort<\/i>, de Marguerite Duras.<\/p>\n","protected":false},"author":2,"featured_media":284,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/65"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":13,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/65\/revisions"}],"predecessor-version":[{"id":2348,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/posts\/65\/revisions\/2348"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/media\/284"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/media?parent=65"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/categories?post=65"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2018\/wp-json\/wp\/v2\/tags?post=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}