{"id":505,"date":"2017-12-10T20:19:09","date_gmt":"2017-12-10T19:19:09","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?page_id=505"},"modified":"2019-11-07T16:00:22","modified_gmt":"2019-11-07T15:00:22","slug":"installations","status":"publish","type":"page","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/installations\/","title":{"rendered":"EXPO"},"content":{"rendered":"
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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"THE<\/a>\n\t\t\t\n\t\t\t
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THE EXHIBITION<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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From February 13 to 15, 2020 at Maison MINATEC – Grenoble<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"P.R.I.S.M\"<\/a>\n\t\t\t\n\t\t\t
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P.R.I.S.M<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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Between images and optical phenomena, Yann Ngu\u00e9ma presents three fascinating and poetic interactive artistic installations.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"MOA\"<\/a>\n\t\t\t\n\t\t\t
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MOA<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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Welcome to\u00a0MOA<\/em>,\u00a0your personal assistant!<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"UNSTABLE\"<\/a>\n\t\t\t\n\t\t\t
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UNSTABLE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An invitation to come and feel real powerful feelings in a virtual fictitious universe.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"DRIVEN\"<\/a>\n\t\t\t\n\t\t\t
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DRIVEN<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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By what are we driven? When our choices seem increasingly conditioned, how much freedom do we have left?<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"BLOOM\"<\/a>\n\t\t\t\n\t\t\t
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BLOOM<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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Kinetic installation, a visual experience accompanied by an acoustic and musical composition that explores the possibilities offered by water as a sculptural materiel.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"LITHOSYS_G5\"<\/a>\n\t\t\t\n\t\t\t
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LITHOSYS_G5<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An interactive work that is a system of inter-species communication<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"IAGOTCHI\"<\/a>\n\t\t\t\n\t\t\t
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IAGOTCHI<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An artistic object derived from the Tamagotchi, prolongs the questioning on otherness. What role can we give to machines, to artificial intelligence?<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"MOSAIC<\/a>\n\t\t\t\n\t\t\t
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MOSAIC VIRUS<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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On three screens you are invited to observe tulips evolving under the influence of the price of the bitcoin.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"SPECULATIVE<\/a>\n\t\t\t\n\t\t\t
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SPECULATIVE ARTIFICIAL INTELLIGENCE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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Two artificial intelligences \u201cconverse\u201d with one another in autonomous mode.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"REACTIVE<\/a>\n\t\t\t\n\t\t\t
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REACTIVE MATTER<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An interactive sculpture installation made using small robots known as \u201cBlinky Blocks\u201d.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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GALLINERO<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An installation in which eight eggs have an endless conversation.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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CACHED<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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The Cached experience offers an insight into your digital reflection by revealing how the silhouette of your on-line activity is interpreted and depicted by the social networks\u2019 contemporary algorithms. \u00a0<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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DHVANI<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An interactive sound installation comprising a network of 51 suspended, inter-connected Indian temple bells under which the visitor is invited to stroll.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"THINK<\/a>\n\t\t\t\n\t\t\t
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THINK SEE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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In front of a beach that is filmed live by a Webcam, an artificial voice recites a text.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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ARTIFICIAL INTELLIGENCE MARY<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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ARTificial Intelligence MARY<\/i> plays the role of an atypical futuristic psychologist who studies the mental health of human beings by dialoguing with them. Talk with MARY. She is waiting for you!<\/span><\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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MIGRATION – SUNSHINE ARCHITECTURE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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KompleX Kapharna\u00fcM attempts through its projects to transform public space into a scenic space and experiments with different ways of occupying this space. <\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"EXPLORING<\/a>\n\t\t\t\n\t\t\t
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EXPLORING THROUGH GESTURES<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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A new digital approach to the works of artists Rembrandt, Jongkind and Carpeaux through temporal and interactive drawing.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"ONIRI<\/a>\n\t\t\t\n\t\t\t
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ONIRI 2070<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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A poetic sound and visual performance that imagines a fantasy moving city that immerses us in 2070.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"ALFRED\"<\/a>\n\t\t\t\n\t\t\t
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ALFRED<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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How well is the human being able to measure the challenges and impacts of technological innovations today?<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"PANORAMA<\/a>\n\t\t\t\n\t\t\t
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PANORAMA MECHANICS<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An interactive photographic installation that questions the relations inhabitants enter into with their environment.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"THE<\/a>\n\t\t\t\n\t\t\t
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THE PUNISHMENT<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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An installation in which a robot carries out preventive punishment in the context of his potential future disobedience.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"LILI<\/a>\n\t\t\t\n\t\t\t
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LILI ALIX WONDERLANDS<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
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Based on a loose adaptation of classic or contemporary texts around the mythical figure of Alice in Wonderland by Lewis Carroll<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"CARBON<\/a>\n\t\t\t\n\t\t\t
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CARBON BLACK<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Carbon Black<\/em> is a sensitive and aesthetic invitation to become aware of the pollution of the anthropic air.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"LINE<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

LINE WOBBLER<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Line Wobbler\u00a0<\/i>is a one-dimensional game that links a joystick to a long four-meter strip of super-bright LEDs.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"QUANTUM<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

QUANTUM GARDEN<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Qantum Garden<\/em> is a bright interactive installation that demonstrates the important concepts of quantum computing.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"PERFORMANCES,<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

PERFORMANCES, READING, THEATRICAL WANDERING<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Performances, reading, theatrical wandering<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"AMMONITE<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

AMMONITE SIRC\u00c9<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

A journey in space and time!\u00a0An author dreams and designs a place that condenses a thousand others.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"FACE<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

FACE \u00c0 FACE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Immersion in the Renault company.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"HERE\"<\/a>\n\t\t\t\n\t\t\t
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HERE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

The text is a journey through time. Between what is \u201cpromised\u201d to us, what we are living in the present and the quivering of all things possible.<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> THU 13 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"INGENIOUS<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

INGENIOUS CONFIDENCES<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

A poetic and political reflection on scientific and technical progress in Grenoble.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\t<\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"EXPERIMENTA<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

EXPERIMENTA BEYOND THE WALLS<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t
\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tHEXAGONE \u2014 MEYLAN<\/span> TUE 11 FEB<\/span> WED 12 FEB<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span> MON 17 FEB<\/span> TUE 18 FEB<\/span> WEB 19 FEB<\/span> THU 20 FEB<\/span> FRI 21 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"PRETEND<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

PRETEND ENTOMOLOGY<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

For the first time the Hexagone front window will be transformed into a video installation!<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMC2 \u2014 GRENOBLE<\/span> TUE 11 FEB<\/span> WED 12 FEB<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span> MON 17 FEB<\/span> TUE 18 FEB<\/span> WEB 19 FEB<\/span> THU 20 FEB<\/span> FRI 21 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"DOLOR\"<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

DOLOR<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t8 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

With the series Dolor<\/em>, Charlotte Audureau proposes work that is both documentary and experimental.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

\n\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n \n \n \n
\n\t\t\t\tMAISON MINATEC \u2014 GRENOBLE<\/span> WED 12 FEB<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"LES<\/a>\n\t\t\t\n\t\t\t
\n\t\t\t\t

LES MODERNES BOOK STORE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t1 November 2019\t\t\t\t<\/span>\n
\n\n<\/div>\n\t\t\t\t

Les Modernes book store\u00a0will be present during the 3 days of the show.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\t\t\t\t\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages\/505"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/comments?post=505"}],"version-history":[{"count":69,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages\/505\/revisions"}],"predecessor-version":[{"id":3313,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages\/505\/revisions\/3313"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/media?parent=505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}