{"id":520,"date":"2017-12-10T20:25:02","date_gmt":"2017-12-10T19:25:02","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?page_id=520"},"modified":"2019-11-07T16:00:58","modified_gmt":"2019-11-07T15:00:58","slug":"forum","status":"publish","type":"page","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/forum\/","title":{"rendered":"FORUM"},"content":{"rendered":"
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\n\t\t\t\tAUDITORIUM DE GRENOBLE INP<\/span> THU 13 FEB<\/span> FRI 14 FEB<\/span> SAT 15 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"FORUM\"<\/a>\n\t\t\t\n\t\t\t
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FORUM<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t15 November 2019\t\t\t\t<\/span>\n
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February 13th to 15th : 10 round tables\u00a0at the Auditorium Grenoble INP.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tAUDITORIUM DE GRENOBLE INP<\/span> THU 13 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"POETIC<\/a>\n\t\t\t\n\t\t\t
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POETIC ALGORITHMS<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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After the arrival of the computer\u2026, what role in the contexts of IT tools can be given to sensitive experiences, poetry and dreams?<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tAUDITORIUM DE GRENOBLE INP<\/span> THU 13 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"FELLOW<\/a>\n\t\t\t\n\t\t\t
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FELLOW CITIZENS, HOW ABOUT IF WE LIBERATED OURSELVES?<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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Technological sovereignty: Through the renewal of our imaginations, can Europe rethink the use and creation of its technologies?<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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\n\t\t\t\tAUDITORIUM DE GRENOBLE INP<\/span> THU 13 FEB<\/span><\/div> \n \n \n \n \n \n \n \n \n \n \n \n\t\t\t\t\"IA<\/a>\n\t\t\t\n\t\t\t
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IA IA! ARTIST IMAGINATIONS AND ARTIFICIAL INTELLIGENCE<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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How do artists embrace AI?<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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ARTISTIC WARMING!<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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How artistic creation and production take environmental challenges into account.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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IT’A NOT ME, IT’S THE AI<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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How can we fight against the amplification of discrimination by artificial intelligence?<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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MIDI MINATEC<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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Image production on transparent material, between poetic work and technological research.<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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CHALLENGES AND PRACTICES FOR ARTS SCIENCES PROJECTS IN THE SCHOOL ENVIRONMENT<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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In what way is combining Art and Science innovative within the Artistic and Cultural Education provided today? <\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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BABIL&SON<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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Does listening to voices, sounds and music favour language development in infants?<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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SMILE, YOU\u2019RE BEING FILMED!<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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Certain science fiction authors describe this society where the monitored person becomes their own overseer. Has this fiction not already become reality?<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\n\t\t

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SHARING THE EARTH<\/a><\/h3>\n\t\t\t\t\n\t\t\t\t\t13 November 2019\t\t\t\t<\/span>\n
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At the heart of climate upheavals director Rocio Berenguer imagines in his latest show G5<\/i><\/strong><\/a> <\/i>a world where human beings are no longer the centre.<\/span><\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/article>\n\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\t\t\t\t\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

SAT\u00a015 \/ 11:15 am > 12:30 pm Auditorium Grenoble – INP\u00a0 Living things and our changing imagination At the heart of climate upheavals director Rocio Berenguer imagines in his latest show G5 a world where human beings are no longer the centre. The various kingdoms — animal, vegetable, mineral, human and machine — have to … En savoir plus<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages\/520"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/comments?post=520"}],"version-history":[{"count":43,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages\/520\/revisions"}],"predecessor-version":[{"id":2305,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/pages\/520\/revisions\/2305"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/media?parent=520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}