{"id":3427,"date":"2019-11-08T16:19:28","date_gmt":"2019-11-08T15:19:28","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?p=3427"},"modified":"2021-04-29T12:13:55","modified_gmt":"2021-04-29T10:13:55","slug":"alfred","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/alfred\/","title":{"rendered":"ALFRED"},"content":{"rendered":"

\u00a0AI \u2014 NEW MATERIALS \u2014 ENVIRONMENT \u2014 RECYCLING\u00a0<\/strong><\/span><\/p>\n

To what extent are human beings capable of measuring the challenges and impact of technological innovations today? Are they maybe stuck in an eternal cycle in which each innovation brings with it a set of new problems? In view of the current environmental challenges, this question is crucial. For example: the services provided by plastic, then our difficulty to manage its life cycle.<\/p>\n

With the Alfred<\/em> installation, the TOAST Collective takes hold of these questions. Alfred<\/em> is the result of research carried out with the CEA Liten laboratory on an innovative reconfigurable material, capable of changing its state according to temperature variations, hence offering an alternative to the current model for the production and management of plastic.<\/p>\n

Artists<\/span>
\n<\/span><\/b>Collectif TOAST<\/b>, art num\u00e9rique \u2014\u00a0<\/span>F\u00e9lix Cote <\/b>\u2014 Benjamin Muzart\u00a0<\/span><\/b><\/p>\n

Researcher<\/span>
\n<\/span><\/b>Lionel Picard<\/b>, chercheur CEA LITEN\u00a0<\/span><\/p>\n

Associated\u00a0<\/u>company<\/u><\/span>
\n<\/b>Philippe Coronel<\/b>, Le CyD – Barraux\u00a0<\/span><\/p>\n

This project is presented within the framework of the European VERTIGO \/S-T-ARTS approach \u2013 Science, Technology and the ARTS. In residency at the Atelier Arts Sciences.<\/strong><\/em><\/p>\n

In residency at the Atelier Arts Sciences.<\/a>\u00a0<\/span><\/b><\/em><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

How well is the human being able to measure the challenges and impacts of technological innovations today?<\/p>\n","protected":false},"author":2,"featured_media":3370,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,53,54,55,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/posts\/3427"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/comments?post=3427"}],"version-history":[{"count":12,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/posts\/3427\/revisions"}],"predecessor-version":[{"id":4775,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/posts\/3427\/revisions\/4775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/media\/3370"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/media?parent=3427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/categories?post=3427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/en\/wp-json\/wp\/v2\/tags?post=3427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}