{"id":3417,"date":"2019-11-08T15:59:43","date_gmt":"2019-11-08T14:59:43","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?p=3417"},"modified":"2021-04-29T12:13:55","modified_gmt":"2021-04-29T10:13:55","slug":"face-a-face","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/face-a-face\/","title":{"rendered":"FACE \u00c0 FACE"},"content":{"rendered":"<p><span style=\"background-color: #ef7c00\"><strong>\u00a0IMMERSION DANS UN ENTREPRISE\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: justify\">\u00ab\u2009Cette histoire commence par un coup de fil de l\u2019\u00e9quipe de l\u2019Atelier Arts Sciences qui me propose d\u2019int\u00e9grer un programme de recherche nomm\u00e9 <i>FACE<\/i> au sein de l\u2019entreprise Renault. Comme je suis tr\u00e8s curieux je dis oui. Et me voil\u00e0 avec ma valise devant le gigantesque technocentre Renault de Guyancourt. J\u2019ai l\u2019impression de rentrer dans le film <i>Bienvenu \u00e0 Gattaca<\/i> et d\u00e8s le d\u00e9part je comprends que je ne comprendrai rien. Je suis au milieu d\u2019une soixantaine d\u2019ing\u00e9nieurs chevronn\u00e9s qui parlent une langue qui m\u2019est totalement \u00e9trang\u00e8re. Je suis un \u00e9tranger. Alors commence mon travail d\u2019immersion,<span class=\"Apple-converted-space\">\u00a0<\/span>j\u2019observe tout, j\u2019\u00e9coute, je note,\u00a0j\u2019enregistre, j\u2019interviewe. Pendant six mois je viens r\u00e9guli\u00e8rement passer du temps au sein de l\u2019\u00e9quipe de <i>FACE<\/i>, qui veut innover et tester de nouvelles m\u00e9thodes de travail, pour petit \u00e0 petit y faire mon nid\u2026 et ne plus \u00eatre \u00e9tranger !<br \/>\nCe qui permet \u00e0 chacun de d\u00e9caler son regard, de prendre du recul et de travailler<span class=\"Apple-converted-space\">\u00a0<\/span>autrement !\u2009\u00bb<br \/>\nDans ses performances, Nicolas Ramond nous fait revivre des moments capt\u00e9s sur le vif, des\u00a0r\u00e9unions au sommet, des r\u00e9flexions, des sauts technologiques, des hauts et des bas\u2026\u00a0qu\u2019il a po\u00e9tis\u00e9s et mis en sc\u00e8ne.<\/p>\n<p><b><span style=\"background-color: #0075be;color: #ffffff\">\u00a0PERFORMANCES\u00a0<\/span><span class=\"Apple-converted-space\">\u00a0\u00a0<\/span><\/b>(dur\u00e9e 20 min)<span class=\"Apple-converted-space\"><br \/>\n<\/span><span style=\"color: #0075be\"><b>JE 13 \u2014 VE 14 F\u00e9v \/ 11H30 \/ 17H<span class=\"Apple-converted-space\">\u00a0 \u2014\u00a0<\/span><\/b><b>SA 15 \u00a0F\u00e9v\/ 12H \/ 14H30<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><\/span><b>Sur r\u00e9servation aupr\u00e8s de l\u2019<a href=\"https:\/\/www.theatre-hexagone.eu\">Hexagone Sc\u00e8ne Nationale Arts Sciences<\/a> au 04 76 90 00 45 ou sur place \u00e0 l\u2019accueil dans la limite des places disponibles.<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p><b><span style=\"text-decoration: underline;color: #0075be\"><span>Artiste<\/span><\/span><span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><b>Nicolas Ramond<\/b>, auteur, metteur<span class=\"Apple-converted-space\">\u00a0<\/span>en sc\u00e8ne, com\u00e9dien<span class=\"Apple-converted-space\">\u00a0\u2014<\/span><span class=\"Apple-converted-space\">\u00a0<\/span><b>Julie Aminthe<\/b>, auteure<\/p>\n<p><b><span style=\"text-decoration: underline;color: #0075be\">Entreprise<\/span><span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><b>Renault &#8211; Technocentre Renault<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><b>de Guyancour <\/b>\u2014 <b>Antoine Vuillaume<\/b>, chef de projet \u2014 <b>Yacine Ladjici<\/b>, chef de projet adjoint<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><em><b>En r\u00e9sidence<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><b>\u00e0 l\u2019<a href=\"http:\/\/www.atelier-arts-sciences.eu\">Atelier Arts Sciences<\/a>.<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Immersion dans l&#039;entreprise Renault.<\/p>\n","protected":false},"author":2,"featured_media":3378,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,53,54,55,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3417"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/comments?post=3417"}],"version-history":[{"count":17,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3417\/revisions"}],"predecessor-version":[{"id":4942,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3417\/revisions\/4942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media\/3378"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media?parent=3417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/categories?post=3417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/tags?post=3417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}