{"id":3435,"date":"2019-11-08T16:23:54","date_gmt":"2019-11-08T15:23:54","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?p=3435"},"modified":"2021-04-29T12:13:55","modified_gmt":"2021-04-29T10:13:55","slug":"penser-voir","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/penser-voir\/","title":{"rendered":"PENSER VOIR"},"content":{"rendered":"<p><span style=\"background-color: #ef7c00\"><strong>\u00a0IA \u2014 FICTION \u2014 SURVEILLANCE\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: justify\">Un texte est lu par une voix de synth\u00e8se sur l\u2019image en direct d\u2019une webcam braqu\u00e9e sur une plage. Il raconte \u00e0lapremi\u00e8re personne la fiction d&rsquo;une intelligence artificielle employ\u00e9e pour surveiller le paysage. Devenue assez consciente pour douter, elle questionne sa propre logique, sa pens\u00e9e mais aussi ses conditions de travail, parfois \u00e0 la limite du burn-out. Avec ironie, la pi\u00e8ce interroge non pas ce que peut faire l&rsquo;intelligence artificielle, mais ce que nous en attendons, et son incidence sur l\u2019humain.<\/p>\n<p><span style=\"color: #ef7c00\"><b><span style=\"text-decoration: underline;color: #0075be\">Artiste<\/span><span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><\/span><b>Thierry Fournier<\/b>, artiste plasticien et commissaire d\u2019exposition<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><b><span style=\"text-decoration: underline;color: #0075be\">Partenaires<\/span><span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><span class=\"\">Pi\u00e8ce cr\u00e9\u00e9e \u00e0 l\u2019invitation du projet\u00a0<a href=\"http:\/\/www.acousticcameras.org\/\"><strong><i class=\"\">Acoustic Cameras<\/i><\/strong><\/a>\u00a0\u00ab\u00a0projet d\u2019annexion sonore\u00a0\u00bb, qui invite des artistes et compositeurs \u00e0 annexer les flux en temps r\u00e9el de webcams situ\u00e9es dans diff\u00e9rents lieux \u00e0 travers le monde. <\/span><i class=\"\"><span class=\"\">Acoustic Cameras<\/span><\/i><span class=\"\"> est une proposition de <strong>Christophe Demarthe<\/strong>, co-\u00e9dit\u00e9e par <strong>Optical Sound (Pierre Belo\u00fcin &#038; P. Nicolas Ledoux)<\/strong> et <strong>la manufacture des Cact\u00e9es (Didier Hochart &#038; Thierry Weyd).<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><b><br \/>\n<\/b><em><strong>Pr\u00e9sent\u00e9 dans le cadre du projet European ARTificial Intelligence Lab co-financ\u00e9 par le programme Europe Cr\u00e9ative de l\u2019Union Europ\u00e9enne.<span class=\"Apple-converted-space\">\u00a0<\/span><\/strong><\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-4184\" src=\"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-content\/uploads\/sites\/17\/2019\/12\/exibition-300x75.jpg\" alt=\"\" width=\"300\" height=\"75\" srcset=\"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-content\/uploads\/sites\/17\/2019\/12\/exibition-300x75.jpg 300w, https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-content\/uploads\/sites\/17\/2019\/12\/exibition.jpg 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"background-color: #ffed00;color: #0075be\"><b>\u00a0+ LE <\/b><\/span><b><span style=\"background-color: #ffed00;color: #0075be\">FORUM\u00a0<\/span><span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b><span style=\"color: #0075be\"><strong>\u2192<\/strong> <\/span>Retrouvez <b>Thierry Fournier <\/b>dans<b> la conf\u00e9rence\u00a0<\/b><b>\u00ab <em><a href=\"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/ia-ia\/\">IA IA ! Imaginaires des artistes\u00a0<\/a><\/em><\/b><b><em><a href=\"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/ia-ia\/\">et informatique avanc\u00e9e<\/a><\/em> \u00bb<\/b> \u00e0 l\u2019Auditorium Grenoble INP \u2014\u00a0<span style=\"color: #0075be\"><b>JE 13 F\u00e9vrier \/ 15H30<\/b><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Face \u00e0 une plage film\u00e9e en direct par une webcam, une voix de synth\u00e8se nous fait entendre un texte.<\/p>\n","protected":false},"author":2,"featured_media":3391,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,53,54,55,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3435"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/comments?post=3435"}],"version-history":[{"count":28,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3435\/revisions"}],"predecessor-version":[{"id":5503,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3435\/revisions\/5503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media\/3391"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media?parent=3435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/categories?post=3435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/tags?post=3435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}