{"id":3454,"date":"2019-11-08T17:05:51","date_gmt":"2019-11-08T16:05:51","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?p=3454"},"modified":"2021-04-29T12:13:55","modified_gmt":"2021-04-29T10:13:55","slug":"mu-2","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/mu-2\/","title":{"rendered":"M\u00db"},"content":{"rendered":"<p><span style=\"background-color: #ef7c00\"><strong>\u00a0CIRQUE CONTEMPORAIN \u2014 NOUVEAUX AGR\u00c8S \u2014 \u00c9LECTROMAGN\u00c9TISME\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: justify\">Par quoi sommes-nous mus ?\u00a0Quand nos choix semblent de plus en plus conditionn\u00e9s, quelle part de libert\u00e9 nous reste-t-il ? Ici, les corps et les mouvements des artistes sont mis en jeu par le biais d\u2019aimants puissants pour figurer notre d\u00e9terminisme. Dans un \u00e9trange univers magn\u00e9tique, les acrobates se jouent de la gravit\u00e9 et sont soumis \u00e0 des forces invisibles. Simon Carrot collabore avec le sculpteur Ulysse Lacoste et au travers d\u2019exp\u00e9rimentations, et avec l\u2019aide d\u2019ing\u00e9nieurs, ils se sont attach\u00e9s \u00e0 concevoir des<span class=\"Apple-converted-space\">\u00a0<\/span>dispositifs \u00e9lectromagn\u00e9tiques, agr\u00e9s de cirque contemporain.<\/p>\n<p><strong><span style=\"background-color: #0075be;color: #ffffff\">PERFORMANCES <\/span><\/strong>\u00a0(dur\u00e9e 8 min)<br \/>\n<span style=\"color: #0075be\"><strong>Ve 14 \u2014 SA 15 F\u00c9V<\/strong><\/span> <span style=\"color: #000000\"><strong>><\/strong><\/span> <strong><span style=\"color: #0075be\">11h \/ 14h \/ 17h30<\/span><\/strong><br \/>\n<strong>Installation accessible en dehors des horaires de performances.<\/strong><\/p>\n<p style=\"text-align: justify\"><span style=\"text-decoration: underline;color: #0075be\"><strong><span>Artistes<\/span><\/strong><\/span><br \/>\n<strong>Simon Carrot,<\/strong> conception \u2014 \u00a0<strong>Simon Carrot, Simon Nyiringabo, Eva-Luna Frattini, Anne-Julia Neumann,<\/strong>\u00a0 interpr\u00e9tation \u2014 <strong>Micka\u00ebl Jean,<\/strong>\u00a0manipulation et r\u00e9gie technique \u2014 <strong>Ulysse Lacoste<\/strong>, co-conception et construction des dispositifs \u2014 <strong>Denis Fargeton,<\/strong> sc\u00e9nographie sonore \u2014 <strong>Elsa Revol<\/strong>, cr\u00e9ation lumi\u00e8re \u2014 <strong>Lyc\u00e9e des m\u00e9tiers de la mode et du costume de spectacle Les C\u00f4teaux<\/strong> &#8211; <strong>Cannes<\/strong> (DMA Costumier R\u00e9alisateur),\u00a0cr\u00e9ation costumes \u2014 <strong>Robert Kieffer<\/strong>, conseiller scientifique \u2014 <strong>Ulysse Lacoste<\/strong>, sculpteur sp\u00e9cialis\u00e9 dans le travail du m\u00e9tal, concepteur de sculptures mobiles monumentales et d\u2019agr\u00e8s<\/p>\n<p><span style=\"text-decoration: underline;color: #0075be\"><strong><span>Chercheurs associ\u00e9s<\/span><\/strong><\/span><br \/>\n<strong>Robert Kieffer<\/strong>, physicien au CERN &#8211;\u00a0Meyrin &#8211; Suisse \u2014<strong> Ghislain R\u00e9my<\/strong>, enseignant-chercheur en robotique \u00e0 l\u2019IUT de Cachan<\/p>\n<p><span style=\"color: #ffffff\"><strong><span style=\"background-color: #ef7c00\">\u00a0+ LE SPECTACLE<br \/>\n<\/span><\/strong><\/span><strong><span style=\"color: #0075be\">\u2192<\/span><\/strong> Retrouvez l\u2019\u00e9quipe\u00a0artistique de <em>M\u00fb<\/em>, l\u2019installation dans le spectacle <a href=\"https:\/\/www.experimenta.fr\/mu\/\"><strong><em>M\u00fb<\/em><\/strong><\/a>\u00a0<strong>\u00e0 La Rampe \u2014 \u00c9chirolles<\/strong> \u2014 <span style=\"color: #0075be\"><strong>\u00a0JE 13 F\u00c9V \/ 20H<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par quoi sommes-nous mus ?\u00a0Nos choix semblent de plus en plus conditionn\u00e9s, quelle part de libert\u00e9 nous reste-t-il ?<\/p>\n","protected":false},"author":2,"featured_media":3455,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,53,54,55,2],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3454"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/comments?post=3454"}],"version-history":[{"count":19,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3454\/revisions"}],"predecessor-version":[{"id":5501,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3454\/revisions\/5501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media\/3455"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media?parent=3454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/categories?post=3454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/tags?post=3454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}