{"id":3511,"date":"2019-11-13T05:26:30","date_gmt":"2019-11-13T04:26:30","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?p=3511"},"modified":"2021-04-29T12:13:55","modified_gmt":"2021-04-29T10:13:55","slug":"babilson","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/babilson\/","title":{"rendered":"BABIL&#038;SON"},"content":{"rendered":"<div id=\"pl-3511\"  class=\"panel-layout\" ><div id=\"pg-3511-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3511-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3511-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"color: #0075be\"><strong>VE 14 F\u00c9V >  15H30 > 16H45<br \/>\n<\/strong><\/span><span style=\"color: #ffffff\"><strong><span style=\"background-color: #000000\"> Auditorium Grenoble INP <\/span><\/strong><\/span><\/p>\n<p><span style=\"color: #0075be\"><strong>L\u2019\u00e9coute de la voix, des sons et de la musique favorise-t-elle le d\u00e9veloppement du langage chez le tout-petit ?<\/strong><\/span><\/p>\n<p style=\"text-align: justify\">En 2018, MEDIARTS a d\u00e9velopp\u00e9 un projet arts sciences sur le territoire \u00e0 destination des tout-petits, de leurs familles et des acteurs culturels. Une recherche men\u00e9e par le laboratoire LPNC est le point de d\u00e9part de cette action. <strong><a href=\"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/langues-de-babylab-2\/\"><i>Langues de <\/i><i>Babylab<\/i><\/a><\/strong> a mis en r\u00e9sonance les recherches vocales et sonores de la chanteuse Aur\u00e9lie Maisonneuve avec celles de psychologues et neuroscientifiques du BABYLAB\/LPNC de l\u2019UGA autour du frottement \u00ab\u2009voix, organisation des sons et d\u00e9veloppement du langage\u2009\u00bb. Inspir\u00e9e par ce processus innovant, une nouvelle \u00e9quipe a pu exp\u00e9rimenter en 2019 une autre recherche au sein de cr\u00e8ches \u00e0 Fontaine. Cette conf\u00e9rence mettra en exergue les points de vue compl\u00e9mentaires de cette \u00e9tude traitant du rapport \u00ab\u2009\u00e9coute, musique et langage\u2009\u00bb.<\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-3511-0-0-1\" class=\"so-panel widget widget_sow-editor\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify\"><strong><span style=\"text-decoration: underline\"><span style=\"color: #ef7c00;text-decoration: underline\"><span style=\"color: #0075be;text-decoration: underline\">Intervenants<\/span><br \/>\n<\/span><\/span><\/strong><strong>Bertille Puissat<\/strong>, chanteuse de formation au Conservatoire de Grenoble et Chamb\u00e9ry en lyrique et en jazz, dumiste et titulaire d\u2019un D.E. en anatomie de la voix (<a href=\"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/langues-de-babylab-2\/\"><em><strong>Langues de Baby lab<\/strong><\/em><\/a>)<br \/>\n<strong>H\u00e9l\u00e8ne Loevenbruck<\/strong>, charg\u00e9e de recherche au CNRS en Langage et Cognition - Laboratoire de Psychologie et NeuroCognition LPNC UGA (<a href=\"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/langues-de-babylab-2\/\"><em><strong>Langues de Baby lab<\/strong><\/em><\/a>)<br \/>\n<strong>Myriam Roulet<\/strong>, fl\u00fbtiste et musicienne intervenante en milieu scolaire au Conservatoire \u00e0 rayonnement communal de Fontaine<\/p>\n<p><span style=\"text-decoration: underline\"><strong><span style=\"color: #ef7c00;text-decoration: underline\"><span style=\"color: #0075be;text-decoration: underline\">Animateur<\/span><br \/>\n<\/span><\/strong><\/span><strong>Christelle Pillet Laversanne<\/strong>, charg\u00e9e Recherche et D\u00e9veloppement Spectacle Vivant \u2013 MEDIARTS<\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-3511-0-0-2\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"arve\" data-mode=\"normal\" data-oembed=\"1\" data-provider=\"vimeo\" id=\"arve-vimeo-391496852659d7c9ded286055105109\" style=\"max-width:1200px;\">\n<span class=\"arve-inner\"><br \/>\n<span class=\"arve-embed arve-embed--has-aspect-ratio\"><br \/>\n<span class=\"arve-ar\" style=\"padding-top:56.250000%\"><\/span><iframe loading=\"lazy\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen class=\"arve-iframe fitvidsignore\" data-arve=\"arve-vimeo-391496852659d7c9ded286055105109\" data-src-no-ap=\"https:\/\/player.vimeo.com\/video\/391496852?h=6af62b3d16&amp;dnt=1&amp;app_id=122963&amp;html5=1&amp;title=1&amp;byline=0&amp;portrait=0&amp;autoplay=0\" frameborder=\"0\" height=\"675\" sandbox=\"allow-scripts allow-same-origin allow-presentation allow-popups allow-popups-to-escape-sandbox allow-forms\" scrolling=\"no\" src=\"https:\/\/player.vimeo.com\/video\/391496852?h=6af62b3d16&#038;dnt=1&#038;app_id=122963&#038;html5=1&#038;title=1&#038;byline=0&#038;portrait=0&#038;autoplay=0\" width=\"1200\"><\/iframe><\/p>\n<p><\/span><\/p>\n<p><\/span><br \/>\n<script type=\"application\/ld+json\">{\"@context\":\"http:\\\/\\\/schema.org\\\/\",\"@id\":\"https:\\\/\\\/hexagonarts.eu\\\/experimenta-la-biennale-2020\\\/babilson\\\/#arve-vimeo-391496852659d7c9ded286055105109\",\"type\":\"VideoObject\",\"embedURL\":\"https:\\\/\\\/player.vimeo.com\\\/video\\\/391496852?h=6af62b3d16&dnt=1&app_id=122963&html5=1&title=1&byline=0&portrait=0&autoplay=0\"}<\/script>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>L\u2019\u00e9coute de la voix, des sons\u00a0et de la musique favorise-t-elle le d\u00e9veloppement du langage chez le tout-petit ?<\/p>\n","protected":false},"author":2,"featured_media":3543,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,54,3],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3511"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/comments?post=3511"}],"version-history":[{"count":29,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3511\/revisions"}],"predecessor-version":[{"id":5295,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3511\/revisions\/5295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media\/3543"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media?parent=3511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/categories?post=3511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/tags?post=3511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}