{"id":3553,"date":"2019-11-14T15:50:09","date_gmt":"2019-11-14T14:50:09","guid":{"rendered":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/?p=3553"},"modified":"2021-04-29T12:13:54","modified_gmt":"2021-04-29T10:13:54","slug":"journees-d-informatique-theatrale","status":"publish","type":"post","link":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/journees-d-informatique-theatrale\/","title":{"rendered":"JOURN\u00c9ES D'INFORMATIQUE TH\u00c9\u00c2TRALE – JIT"},"content":{"rendered":"

ME 12 F\u00c9V<\/span>\u00a0\/ 14H > 17H
\n<\/span><\/b>JE 13 F\u00c9V<\/span>\u00a0\/ 9H > 17H
\nVE 14 F\u00c9V \/ 9H > 17H
\n<\/span><\/b><\/span>\u00a0Auditorium Grenoble INP
\n<\/span><\/strong><\/span><\/p>\n

Les Journ\u00e9es d\u2019Informatique th\u00e9\u00e2trale\u00a0<\/span>r\u00e9unissent des chercheurs, des artistes et\u00a0<\/span>des informaticiens de la sc\u00e8ne th\u00e9\u00e2trale\u00a0<\/span>internationale revendiquant une pratique\u00a0<\/span>th\u00e9\u00e2trale utilisant l\u2019informatique comme moyen d\u2019expression et\/ou outil de\u00a0<\/span>composition. Visant \u00e0 l\u2019\u00e9mergence d\u2019un champ d\u2019activit\u00e9s, celui de l\u2019informatique th\u00e9\u00e2trale en r\u00e9f\u00e9rence \u00e0 celui de l\u2019informatique musicale, les JIT abordent l\u2019ensemble des domaines de la conception artistique et technique (sc\u00e9nographie, jeu d\u2019acteur, dramaturgie, son, r\u00e9gie, etc.) mais aussi des probl\u00e9matiques touchant \u00e0 la documentation, \u00e0 l\u2019annotation et \u00e0 l\u2019archivage des processus de cr\u00e9ation, ainsi qu\u2019aux questions d’action culturelle avec les publics.
\nCes premi\u00e8res journ\u00e9es veulent constituer un lieu de rencontre pour une communaut\u00e9 existante mais \u00e9parse et offrir aux \u00e9quipes scientifiques et\/ou artistiques la possibilit\u00e9\u00a0<\/span>de pr\u00e9senter des travaux pass\u00e9s, en cours\u00a0<\/span>ou \u00e0 venir.<\/p>\n

Avec le soutien de l\u2019IDEX Universit\u00e9 Grenoble Alpes.<\/b><\/em><\/p>\n

Le colloque est organis\u00e9 par le projet Performance Lab, Univ. Grenoble Alpes, avec le soutien de l’Inria,\u00a0du LJK et du laboratoire Litt&Arts.
\n<\/strong><\/span>Entr\u00e9e libre et gratuite \u2014 Inscription conseill\u00e9e <\/strong>aupr\u00e8s de Virginie Meunier –\u00a0virginie.meunier@univ-grenoble-alpes.fr<\/a>
\n<\/strong>Le colloque est ouvert \u00e0 tous les publics, dans la limite des places disponibles.\u00a0<\/strong><\/p>\n

Comit\u00e9 scientifique<\/span>
\n<\/span><\/strong><\/span>R\u00e9mi Ronfard,\u00a0<\/strong>Inria, LJK, Universit\u00e9 Grenoble Alpes \u2014 \u00a0Julie Valero,\u00a0<\/strong>UMR Litt&Arts, Universit\u00e9 Grenoble Alpes<\/p>\n

Comit\u00e9 d’organisation<\/span>
\n<\/b><\/span>Andrea Giomi,\u00a0<\/strong>Performance Lab, Universit\u00e9 Grenoble Alpes \u2014 Virginie Meunier,\u00a0<\/strong>Performance Lab, Universit\u00e9 Grenoble Alpes \u2014 Corinne Touati,\u00a0<\/strong>Inria<\/p>\n

T\u00c9L\u00c9CHARGER LE PROGRAMME<\/strong><\/a><\/span><\/p>\n

 <\/p>\n

\u00a0AUTOUR DU COLLOQUE\u00a0<\/span>
\n<\/span><\/span><\/span><\/strong>\u00a0EST Espace Sc\u00e9nique transdisciplinaire\u00a0Saint-Martin-d\u2019H\u00e8res\u00a0<\/strong><\/span>
\nME 19 F\u00c9V \/ 19H30 –\u00a0Entr\u00e9e libre sur r\u00e9servation
\n<\/strong>www.univ-grenoble-alpes.fr<\/b><\/a><\/span><\/p>\n

Petit br\u00e9viaire tragique \u00e0 l’usage des animaux\u00a0humains du 21e si\u00e8cle
\n<\/strong><\/span>Un spectacle de J.-F. Peyret<\/strong>, avec les \u00e9tudiant.es de 4e ann\u00e9e du Conservatoire national sup\u00e9rieur d’art dramatique de Paris.<\/b><\/b><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Ces journ\u00e9es r\u00e9unissent des chercheurs, des artistes et des informaticiens de la sc\u00e8ne th\u00e9\u00e2trale internationale revendiquant une pratique th\u00e9\u00e2trale utilisant l\u2019informatique comme moyen d\u2019expression et\/ou outil de composition.<\/p>\n","protected":false},"author":2,"featured_media":3557,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52,53,58,6],"tags":[],"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3553"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/comments?post=3553"}],"version-history":[{"count":20,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3553\/revisions"}],"predecessor-version":[{"id":5498,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/posts\/3553\/revisions\/5498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media\/3557"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/media?parent=3553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/categories?post=3553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hexagonarts.eu\/experimenta-la-biennale-2020\/wp-json\/wp\/v2\/tags?post=3553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}