\u2014<\/strong><\/span>
\nImpression
\nTir\u00e9 \u00e0 36 000 exemplaires sur les presses de la MANUFACTURE\u00a0des Deux-Ponts. ISO\u00a01401.
\nProtection de l\u2019environnement, papier provenant de for\u00eats \u00e0 gestion durable. Brochure certifi\u00e9e PEFC\/10-31-1858, encre \u00e0 base de mati\u00e8res premi\u00e8res v\u00e9g\u00e9tales renouvelables et biod\u00e9gradables, sans pigments\u00a0ni\u00a0m\u00e9taux lourds, label Imprim\u2019vert.<\/p>\nCR\u00c9DITS PHOTOGRAPHIQUES<\/strong><\/p>\n2e et 3e de couverture \u00a9 Fred Mille
\nLumi\u00e8re(s<\/em>)<\/em> <\/strong>\u00a9 Maurice Fouilh\u00e9.
\nEXPERIMENTA<\/em><\/strong> \u00a9 Pierre Jayet, C\u00e9cile Picard-Limpens, Javiera Tejerina\u2013Risso, Y. M. \/ Artilect.
\nLes Impromptus scientifiques<\/strong><\/em> \u00a9 D.R.
\nLe Jeu Pour changer le monde<\/strong> \u00a9 Laurence Bardini.
\nLes 10 ans de l\u2019Atelier Arts Sciences<\/strong>\u00a0 \u00a9 Magali Bazi, Laurence Fragnol, Fran\u00e7ois Deneulin, Benjamin Juhel.
\nKaterine Hayles<\/strong> et Yves Citton<\/strong> \u00a9 D.R.
\nJardins migrateurs<\/em><\/strong> \u00a9 Michael Slobodian.
\nAHC – Albertine, Hector et Charles<\/em> <\/strong>\u00a9 Denis Plassard.
\nM\u00fcnchhausen ?<\/em><\/strong> \u00a9 \u00c9lisabeth Carecchio.
\nPedro Soler<\/strong><\/em> et<\/em> Gaspar Claus<\/em><\/strong> \u00a9 Cyrille Choupas.
\nFen\u00eatres<\/em><\/strong> \u00a9 Christophe Raynaud de Lage.
\nBarons perch\u00e9<\/em>s<\/em><\/strong> \u00a9 Christophe Raynaud de Lage.
\nEl trio<\/strong><\/em> \u00a9 Alain Simon.
\nSamedi d\u00e9tente<\/strong><\/em> \u00a9 Laura Fouquere.
\nVincent Peirani et \u00c9mile Parisien<\/em><\/strong> \u00a9 Sylvain Gripoix.
\nForbidden di sporgersi<\/em> <\/strong>\u00a9 Jean-Pierre Estournet.
\nKatastrophe<\/em> <\/strong>\u00a9 Ewa Gleisner, Se\u00f1or Serrano.
\nTsch\u00e4gg<\/em> <\/strong>\u00a9 Christian Rausch.
\nSatori<\/strong> <\/em>\u00a9 Quentin Chevrier.
\nL\u2019Avaleur<\/strong> <\/em>\u00a9 L\u2019Avaleur de sabre – Henri Matisse \u00a9 Succession H. Matisse \u00a9 CentrePompidou, mnma \u2013 cci, dist. rmn\/ PhilippeMigeat, Olivier Pasquiers.
\nLa Possible Impossible Maison<\/em><\/strong> \u00a9 Samuel\u00a0 Rubio.
\nLe Vivier des noms<\/em><\/strong> \u00a9 Pierre Grosbois.
\nLe Grand voyage<\/em><\/strong> \u00a9 Edwin van Kleef, Judith Nab.
\nLa Pluie d\u2019\u00e9t\u00e9<\/em><\/strong> \u00a9 Claudine Lambert.
\nNow\u221e<\/em> <\/strong>\u00a9 Antoine Conjard.
\nPrimitifs<\/em><\/strong> \u00a9 Fr\u00e9d\u00e9ric Desmesure.
\nLe Pas de B\u00eame<\/em> <\/strong>\u00a9 Martin Colombet.
\nAganta Kairos<\/strong><\/em> \u00a9 Laurent Mulot.
\nMaria-XIXe-Star<\/em> <\/strong>\u00a9 Joran Juvin \/ Ensemble Bor\u00e9ades.
\n\u00c9chos de babel<\/em><\/strong> \u00a9 Peter Putters.
\nTerre et Two, seul<\/em><\/strong> \u00a9 Fran\u00e7ois Deneulin.
\nChrones<\/em><\/strong> \u00a9 Samuel Guibal.
\nEffet Bekkrell<\/em> <\/strong>\u00a9 Massao Mascaro.
\nR\u00e9cit des \u00e9v\u00e9nements futurs<\/em> <\/strong>\u00a9 Kim Lan Nguyen Thi.
\nSc\u00e8ne ouverte \u00e9tudiante<\/em><\/strong> \u00a9 \u00c9milie\u00a0 Costanziello, Flore Henocque.
\n[re]connaissance<\/em><\/strong> \u00a9 Christian Rausch.
\n2666<\/strong><\/em> \u2014 MC2: Grenoble \u00a9 Simon Gosselin.<\/p>\n","protected":false},"excerpt":{"rendered":"Directeur de la publication Antoine Conjard \u2014 Conception, r\u00e9daction et suivi Laurence Bardini Nathalie Soulier \u2014 Graphisme www.fred-mille-design.fr \u2014 Impression Tir\u00e9 \u00e0 36 000 exemplaires sur les presses de la MANUFACTURE\u00a0des Deux-Ponts. ISO\u00a01401. Protection de l\u2019environnement, papier provenant de for\u00eats \u00e0 gestion durable. Brochure certifi\u00e9e PEFC\/10-31-1858, encre \u00e0 base de mati\u00e8res premi\u00e8res v\u00e9g\u00e9tales renouvelables et […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"100-width.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2016\/wp-json\/wp\/v2\/pages\/733"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2016\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2016\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/hexagone-2016\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/hexagone-2016\/wp-json\/wp\/v2\/comments?post=733"}],"version-history":[{"count":0,"href":"https:\/\/hexagonarts.eu\/hexagone-2016\/wp-json\/wp\/v2\/pages\/733\/revisions"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2016\/wp-json\/wp\/v2\/media?parent=733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}