{"id":733,"date":"2014-05-28T09:11:06","date_gmt":"2014-05-28T08:11:06","guid":{"rendered":"http:\/\/hexagone2016.theatre-hexagone.net\/?page_id=733"},"modified":"2017-12-21T17:30:54","modified_gmt":"2017-12-21T16:30:54","slug":"copyright-des-photos","status":"publish","type":"page","link":"https:\/\/hexagonarts.eu\/hexagone-2017\/copyright-des-photos\/","title":{"rendered":"COPYRIGHT DES PHOTOS"},"content":{"rendered":"
Nil Actum<\/em> <\/strong>\u00a9 Jean-Marie Heidinger Nil Actum \u00a9 Jean-Marie Heidinger #Softlove \u00a9 Hugo Arcier Le Pas Grand Chose \u00a9 Joanne Azoubel Conf\u00e9rences Nouveaux mondes\u2026 \u00a9 Philippe Mastas \u2013 Flammarion, D. R. Le Syndrome de Cassandre \u00a9 Sylvain Frappat Stil \u00a9 Laurent Philippe Mon prof est un troll \u00a9 S\u00e9bastien Quencez Cory Henry and the funk apostles \u00a9 X – D. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/pages\/733"}],"collection":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/comments?post=733"}],"version-history":[{"count":4,"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/pages\/733\/revisions"}],"predecessor-version":[{"id":5039,"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/pages\/733\/revisions\/5039"}],"wp:attachment":[{"href":"https:\/\/hexagonarts.eu\/hexagone-2017\/wp-json\/wp\/v2\/media?parent=733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n#Softlove<\/em> <\/strong>\u00a9 Hugo Arcier
\nLe Pas Grand Chose<\/em><\/strong> \u00a9 Joanne Azoubel
\nConf\u00e9rences Nouveaux mondes\u2026<\/strong> \u00a9 Philippe Mastas \u2013 Flammarion, D. R.
\nLe Syndrome de Cassandre<\/em><\/strong> \u00a9 Sylvain Frappat
\nStil<\/em> <\/strong>\u00a9 Laurent Philippe
\nMon prof est un troll <\/em><\/strong>\u00a9 S\u00e9bastien Quencez
\nCory Henry and the funk apostles<\/em><\/strong> \u00a9 X – D. R.
\nMaputo Mozambique<\/em> <\/strong>\u00a9 Pascal Bouclier, Lysiane Dany-Ruinet
\nLe Marchand de Venise (Business in Venice)<\/em><\/strong> \u00a9 Paolo Woods et Gabriele Galimberti
\nUnwanted<\/em> <\/strong>\u00a9 Bruce Clark
\nDaniel Zimmermann quartet<\/em><\/strong> \u00a9 Sylvain Gripoix
\nGaspar Claus & Fran\u00e7ois Olislaeger<\/em><\/strong> \u00a9 Vanves
\nCentaures, quand nous \u00e9tions enfants<\/em><\/strong> \u00a9 Martin Dutasta
\nDigital Vaudou<\/em><\/strong> \u00a9 Philippe Somnolet
\nForecasting<\/em> <\/strong>\u00a9 Yelena Remetin 2012, Creative Commons
\nSome use for your broken clay pots<\/em><\/strong> \u00a9 Karol Jarek
\nAdieu au langage<\/em><\/strong> \u00a9 D. R.
\nOn inventera le titre demain<\/em><\/strong> \u00a9 D. R.
\nArtefact<\/em><\/strong> \u00a9 Icinori
\nCabo san roque<\/em><\/strong> \u00a9 Inga Kn\u00f6lke
\nVoyage au centre du mot<\/em><\/strong> \u00a9 Christian Dury, CNRS, Institut des Sciences de l\u2019Homme Lyon
\nLa Fabrique des monstres ou d\u00e9mesure pour mesure<\/strong> <\/em>: Hiawatha \u00a9 Thomas Moran, 1867
\nProjet Stroh<\/strong><\/em> \u00a9 Jos Agasi
\nTentatives d\u2019approches d\u2019un point de suspension<\/strong> <\/em>\u00a9 Magali Bazi
\nEXPERIMENTA, le Salon<\/em><\/strong> \u00a9 O2zone, Antoine Conjard
\n\u00c0 main lev\u00e9e<\/strong><\/em> \u00a9 Pauline de Chalendar
\nEXPERIMENTA, Les Ateliers<\/em> <\/strong>\u00a9 Pauline de Chalendar
\nL\u2019Atelier Arts Sciences<\/strong> \u00a9 O2zone, Lionel Palun, Antoine Conjard
\nFresque#1<\/em> <\/strong>\u00a9 Antoine Conjard
\nR+0<\/strong><\/em> \u00a9 Olivier Metzger
\nBlade Runner<\/em><\/strong> \u00a9 Djavanshir, Andre Rau
\nR\u00e9parer les vivants<\/em><\/strong> \u00a9 Elisabeth Carecchio
\nHomeostasis#V2<\/em><\/strong> \u00a9 Nicolas Laverroux
\nLuys i Luso<\/em><\/strong> \u00a9 Vahan Stepanyan
\nBlack clouds<\/em><\/strong> \u00a9 Andr\u00e9a Dainef
\nL\u00fcne 3000<\/em><\/strong> \u00a9 Jeff Humbert, Jean-Louis Fernandez revisit\u00e9 par Plonk & Replonk
\nLa Bonne nouvelle<\/em><\/strong> \u00a9 Vincent Arbelet
\nKintsugi<\/em><\/strong> \u00a9 Paul Amouroux
\nLa petite fille qui disait non<\/strong><\/em> \u00a9 Carole Thibaut
\nDuke & Thelonious<\/em> <\/strong>\u00a9 Pierre Frot
\nLa Vase<\/em><\/strong> \u00a9 Marguerite Bordat
\nSc\u00e8ne ouverte aux \u00e9tudiants<\/strong><\/em> \u00a9 Lionel Andr\u00e9
\n\u00c0 la recherche du Soulier<\/em><\/strong> \u00a9 Herv\u00e9 Frumy
\nFesten<\/em><\/strong> \u00a9 James Kerwin
\nEx Anima<\/strong> <\/em>\u00a9 Hugo Marty
\nphotos des pages relations avec le public<\/strong> \u00a9 \u00c9quipe des relations avec le public, Patricia Aravindakshan
\nL\u2019\u00e9quipe<\/strong> \u00a9 Simon Barral
\nL\u2019Hexagone 1976 > 2017<\/strong> \u00a9 Ville de Meylan, Laurence Bardini, Antoine Conjard<\/p>\n","protected":false},"excerpt":{"rendered":"