{"id":10652,"date":"2025-06-16T10:56:05","date_gmt":"2025-06-16T08:56:05","guid":{"rendered":"https:\/\/hexagonarts.eu\/hsn-2025-2026\/?post_type=production_hsn&#038;p=10652"},"modified":"2026-02-11T16:48:42","modified_gmt":"2026-02-11T15:48:42","slug":"apres-la-memoire","status":"publish","type":"production_hsn","link":"https:\/\/www.theatre-hexagone.eu\/production_hsn\/apres-la-memoire\/","title":{"rendered":"APR\u00c8S LA M\u00c9MOIRE"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40);flex-basis:65%\">\n<p class=\"has-palette-color-1-color has-text-color has-link-color wp-elements-02194f1a2631500b13fce9595ebbd1dc wp-block-paragraph\"><strong>Le Tombeau des p\u00e8res<br>Rangalanga Tsilaitry Mboangy &amp; Nadia Ratsimandresy<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Apre\u0300s la me\u0301moire<\/em> est un projet d\u2019installation-performance explorant l\u2019influence de l\u2019histoire coloniale malgache sur les imaginaires individuels et collectifs contemporains. Elle se veut une traduction sensible de ce que l\u2019on appelle l\u2019expe\u0301rience de double conscience que l\u2019on rencontre souvent chez les personnes issues de la diaspora, et qui se caracte\u0301rise par le sentiment d\u2019e\u0302tre partage\u0301 entre des mondes diffe\u0301rents, se\u0301pare\u0301s dans le temps et l\u2019espace, et pourtant simultane\u0301s.<br>Ensemble, nous travaillons a\u0300 faire de la composition musicale un espace ou\u0300 se rejouent les tensions entre identite\u0301s individuelles et collectives, entre me\u0301moire et oubli, entre oppression et re\u0301appropriation.<br><br>La musique devient un lieu de rencontre entre les re\u0301cits enfouis et les aspirations contemporaines. En explorant les fractures et les cicatrices de la me\u0301moire coloniale, nous cherchons a\u0300 transcender ces divisions pour imaginer des identite\u0301s plurielles, en tension mais en dialogue. Ensemble, nous faisons parler les silences de l\u2019histoire et ouvrons des possibles pour l\u2019avenir.<br><br>Nous voyons l\u2019installation comme une me\u0301moire mate\u0301rialise\u0301e. Un espace ou\u0300 la me\u0301moire prend corps et ou\u0300 les visiteurs peuvent entrer physiquement en re\u0301sonance avec des histoires souvent invisibilise\u0301es. Les objets, les sons, les lumie\u0300res et les textures sont autant de fragments d\u2019histoire qui s\u2019entrelacent pour raconter des re\u0301cits complexes. Nous voulons cre\u0301er un espace ou\u0300 la pluralite\u0301 des re\u0301cits s\u2019exprime, parfois de manie\u0300re harmonieuse, parfois par des frottements ou des dissonances. Ces tensions sont pour nous une manie\u0300re de traduire esthe\u0301tiquement les rapports de pouvoir, de domination, mais aussi de re\u0301appropriation qui traversent les identit\u00e9s h\u00e9rit\u00e9es de la m\u00e9moire coloniale.<br>.<br><em>Apr\u00e8s la m\u00e9moire <\/em>est laur\u00e9at de l\u2019appel \u00e0 projet r\u00e9sidence Arts et Sciences de la Fondation Royaumont \u2013 Ath\u00e9nor \u2013 Hexagone.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-palette-color-1-color has-text-color has-link-color wp-elements-b884d3cc9037c1bfbd6adef4074dfd5c\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.156), 16px);\">Distribution<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Conception et direction artistique <strong>Rangalanga Tsilaitry Mboangy &amp; Nadia Ratsimandresy <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Dramaturgie<strong> Simon Hatab <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Accompagnement mise en sc\u00e8ne sur la question des identit\u00e9s diasporiques <strong>Prisca Ratovonasy <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> R\u00e9gie g\u00e9n\u00e9rale <strong>Nicolas Pierre <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Lumi\u00e8res <strong>Abigail Flower <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Design sonore de l\u2019installation-performance <strong>Paul Lajus <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Collaboration \u00e0 la performance <strong>Didier Manuel <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Assistant \u00e0 la m\u00e9diation d\u2019installation <strong>Florian Rosinski <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Assistant \u00e0 la sc\u00e9nographie <strong>Arthur Grandjean <span style=\"color: var(--theme-palette-color-1, #bd1e0c)\" class=\"stk-highlight\">\u2022<\/span><\/strong> Construction <strong>Ad\u00e9lie Salmon<\/strong><\/p>\n\n\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" data-id=\"10655\" src=\"https:\/\/www.theatre-hexagone.eu\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-2.jpg\" alt=\"\" class=\"wp-image-10655\" srcset=\"https:\/\/hexagonarts.eu\/hsn-2025-2026\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-2.jpg 960w, https:\/\/hexagonarts.eu\/hsn-2025-2026\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-2-300x169.jpg 300w, https:\/\/hexagonarts.eu\/hsn-2025-2026\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-2-768x432.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" data-id=\"10654\" src=\"https:\/\/www.theatre-hexagone.eu\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-1.jpg\" alt=\"\" class=\"wp-image-10654\" srcset=\"https:\/\/hexagonarts.eu\/hsn-2025-2026\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-1.jpg 960w, https:\/\/hexagonarts.eu\/hsn-2025-2026\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-1-300x169.jpg 300w, https:\/\/hexagonarts.eu\/hsn-2025-2026\/wp-content\/uploads\/sites\/36\/2025\/06\/NADIA-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n<\/figure>\n\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40);flex-basis:35%\">\n<h2 class=\"wp-block-heading has-palette-color-1-color has-text-color has-medium-font-size\"><strong><strong>INSTALLATION \u2013 MUSIQUE CONTEMPORAINE \u2013 PERFORMANCE<\/strong><br><\/strong><\/h2>\n\n\n\n<h2 class=\"wp-block-heading titre-production has-palette-color-1-color has-text-color\" style=\"font-size:clamp(0.875em, 0.875rem + ((1vw - 0.2em) * 0.031), 0.9em);\">PRODUCTION<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ana, La Permanence po\u00e9tique, Full Rhizome<\/p>\n\n\n\n<h2 class=\"wp-block-heading titre-production has-palette-color-1-color has-text-color\" style=\"font-size:clamp(0.875em, 0.875rem + ((1vw - 0.2em) * 0.031), 0.9em);\">COPRODUCTION<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Festival Musica, Abbaye de Royaumont, CNCM Ath\u00e9nor, Hexagone Sc\u00e8ne nationale, GRAME.<br>Avec le soutien de la fondation Daniel et Nina Carasso\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading titre-production has-palette-color-1-color has-text-color\" style=\"font-size:clamp(0.875em, 0.875rem + ((1vw - 0.2em) * 0.031), 0.9em);\">CALENDRIER DE R\u00c9SIDENCE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>28\/05 &#8211; 01\/06\/25<\/strong> Espace Malraux &#8211; Vand\u0153uvre-l\u00e8s-Nancy<br><strong>13 &#8211; 28\/06\/25<\/strong> Voyage \u00e0 Madagascar<br><strong>18 &#8211; 22\/08\/25<\/strong> Espace Malraux &#8211; Vand\u0153uvre-l\u00e8s-Nancy<br><strong>16 &#8211; 24\/09\/25<\/strong> Musica &#8211; Strasbourg<br><strong>06 &#8211; 10\/25<\/strong> Athenor &#8211; Saint-Nazaire<br><strong>19 &#8211; 22\/10\/25<\/strong> Abbaye de Royaumont<br><strong>12 -16\/01\/26<\/strong> GRAME &#8211; Lyon<br><strong>9 &#8211; 13\/02\/2026<\/strong> Hexagone Sc\u00e8ne nationale &#8211; Meylan<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Apre\u0300s la me\u0301moire est un projet d\u2019installation-performance explorant l\u2019influence de l\u2019histoire coloniale malgache sur les imaginaires individuels et collectifs contemporains. <\/p>\n","protected":false},"featured_media":10653,"parent":0,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categorie_productions":[79,80],"genres":[96,97,105],"class_list":["post-10652","production_hsn","type-production_hsn","status-publish","format-standard","has-post-thumbnail","hentry","categorie_productions-accueil","categorie_productions-coproduction","genres-installation","genres-musique-contemporaine","genres-performance"],"blocksy_meta":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/production_hsn\/10652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/production_hsn"}],"about":[{"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/types\/production_hsn"}],"version-history":[{"count":9,"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/production_hsn\/10652\/revisions"}],"predecessor-version":[{"id":11483,"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/production_hsn\/10652\/revisions\/11483"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/media\/10653"}],"wp:attachment":[{"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/media?parent=10652"}],"wp:term":[{"taxonomy":"categorie_productions","embeddable":true,"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/categorie_productions?post=10652"},{"taxonomy":"genres","embeddable":true,"href":"https:\/\/www.theatre-hexagone.eu\/wp-json\/wp\/v2\/genres?post=10652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}